seamless
2026
Today most works are first seen cropped to a square. Seamless plays with that. Each of the three works takes its shape from the frame it is shown in. Narrow, it looks safe. Widen the frame and the rest comes in from the edges: a chain at a child's ankle in serpent, people fighting behind someone bent over a phone in autruche. I spent almost a year choosing, pixel by pixel, what the algorithm was allowed to cut.